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Intelligence Delivery 4 [adventure/sandbox]

How tf can I get past the TPC defense part, its literally a neverending firefight with annoying music playing on loop.

самая лучшая серия карт по вселенной half life 2 !!

a must play. great fights, great timing for music, and one thing that should change is a character telling you not to rush the combine when music is playing

Well, thanks for your detailed comments. These maps didn't get very extensive playtests and the balance is more like "whether it's comfortable for me and several other people"

Extra : Cool train fight, though mine bugged and the armored truck didn't come into range and i had to noclip to get it.
Though there are only 2 spots you can hide from them effectively, but having a medkit helps you regardless so it's alright.

Criticism : Constant onslaught of enemies, i don't get why you would place mounted guns when the enemies spawn practically on your flank. The resources are plenty but at very inconvenient place. Why is majority of the armor packed in a single spot?(the truck) There should be a clear signal to show where you are going because these vines/overgrown passes are insanely difficult to differentiate and i had to go back and forth multiple times.
The stealth is odd, it doesn't let the player catch up, it felt redundant when it doesn't matter anyways. Instead why can't we have a vantage point or a higher spot to view them instead of 'following them quietly'? That would be significantly easier.
Don't get me wrong, these maps are great! And the campaign overall are a confusing, combat are pretty hefty due to sheer amount of non-stop spawning enemies but it is manageable.
Also forgot to mention the variety of 'enemies' or their helmets and cosmetics overall on other chapters, it's cool.

It wasn't

did the train's interior in the start of the map get updated recently? Because i could have sworn it looked like a combine interior before

Map is amazing, but for whatever reason, every weapon I get automatically is in something like a safety mode.

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