Đánh giá gần đây bởi Bylem

Zagrałem w tę grę do tej pory jedynie dwa razy i przegrałem 25 godzin.
Jutro muszę iść do pracy ale nie chcę. Teraz w mojej głowie jest tylko łowienie ryb w gierce.

I’ve played this game only twice so far and already lost 25 hours. Tomorrow I have to go to work, but I don’t want to. Right now, all I can think about is fishing in the game.

Bad reviews are by people who lost theirs car in a bet.

VRChat, a virtual reality platform, has profoundly impacted my life in unexpected ways. Let me take you on a journey through the digital realms where avatars come alive and friendships transcend borders.

The Metaverse Beckons
In the sprawling metropolis of VRChat, I shed my mundane existence and stepped into a kaleidoscope of creativity. Here’s how it transformed my reality:

1. Avatar Alchemy
In this pixelated wonderland, I morphed into myriad forms. One day, I was a mischievous fox with luminescent fur, and the next, a celestial being with iridescent wings. The power to metamorphose was intoxicating. VRChat taught me that identity is fluid—a canvas waiting for strokes of imagination.

2. The Cathedral of Conversation
Within the hallowed halls of Santiago de Compostela Cathedral (a virtual replica, mind you), I conversed with pilgrims from distant lands. Their stories echoed through the vaulted ceilings, and I realized that language barriers crumbled when hearts connected. VRChat became my universal confessional, where secrets flowed like incense smoke.

3. Segovia’s Aqueducts and Air Balloons
In the romantic city of Segovia, I soared above the ancient aqueducts in a hot air balloon. The wind whispered tales of forgotten empires, and I marveled at the delicate balance between history and innovation. VRChat taught me that even in pixelated skies, dreams can ascend.

4. Barcelona’s Whimsical Architecture
Barcelona, the cultural capital, unfolded before me. Antoni Gaudí’s fantastical creations—Basílica de la Sagrada Família and Park Güell—were my playground. I danced on mosaic tiles, my avatar twirling like a dervish. VRChat whispered, “Life is a mosaic; embrace the broken pieces.”

5. San Sebastián’s Basque Beaches
On the shores of San Sebastián, I basked in the virtual sun. The Basque waves lapped at my digital toes, and I pondered the impermanence of sandcastles. VRChat reminded me that friendships, like tides, ebb and flow. Some vanish with the next login, while others endure like eternal sunsets.

6. Madrid’s Midnight Museums
In the heart of Madrid, I wandered through pixelated galleries. The Prado Museum’s masterpieces—Velázquez, Goya, and El Greco—whispered secrets. VRChat taught me that art transcends pixels; it’s the brushstroke of the soul.

7. Granada’s Alhambra at Twilight
As the sun dipped behind the virtual Alhambra, I sat on its pixelated terraces. The intricate arabesques whispered tales of love and loss. VRChat reminded me that beauty thrives even in ephemeral realms.

8. Valencia’s Futuristic Horizons
Valencia’s City of Arts and Sciences stretched before me—an architectural marvel. I pondered the dance between tradition and innovation. VRChat whispered, “Embrace the future, but honor the past.”

9. Seville’s Flamenco Echoes
In Seville’s smoky taverns, I danced the flamenco. My avatar’s heels clicked, and passion swirled. VRChat taught me that rhythm transcends pixels; it’s the heartbeat of connection.

10. Bilbao’s Guggenheim Dreams
Within the titanium curves of the Guggenheim Museum, I pondered abstract art. VRChat whispered, “Life is an abstract canvas; splash it with vibrant hues.”

And so, in this digital tapestry, I found solace, laughter, and kinship. VRChat blurred the lines between reality and imagination, leaving indelible footprints on my soul.

World Truck Racing, oh boy. This game is a classic example of a concept that could have been great, but the execution leaves much to be desired. It’s a truck racing game, but it seems like the developers forgot what makes a racing game fun and exciting.

First off, the controls are as stiff as a board, making the supposedly simple act of steering feel like a Herculean task. You’re supposed to navigate your truck around the track, but the clunky controls make this more difficult than it needs to be.

The graphics are nothing to write home about either. They’re simple and lackluster, lacking the polish and detail that could have made the game visually appealing. It’s like the developers decided to go for a minimalist approach, but ended up with a game that looks unfinished.

But perhaps the most frustrating thing about World Truck Racing is its lack of depth. There’s no progression system, no upgrades for your truck, no variety in the gameplay. You just keep doing the same thing over and over again, with the only change being the increasing speed of the trucks. It’s monotonous and quickly becomes boring.

In conclusion, World Truck Racing is a game that had potential, but ultimately falls flat due to its poor controls, lackluster graphics, and lack of depth. It’s a game that I would not recommend, unless you’re looking for a lesson in frustration.

Pixel Traffic: Circle Rush, oh my. This game is a classic example of a concept that could have been great, but the execution leaves much to be desired. It’s an arcade game that’s supposed to bring joy and fun, but instead, it brings frustration and disappointment.

The game’s controls are as stiff as a board, making the supposedly simple act of avoiding traffic feel like a Herculean task. You’re supposed to squeeze between passing cars without getting into an accident, but the clunky controls make this more difficult than it needs to be.

The graphics are nothing to write home about either. They’re simple and lackluster, lacking the polish and detail that could have made the game visually appealing. It’s like the developers decided to go for a minimalist approach, but ended up with a game that looks unfinished.

But perhaps the most frustrating thing about Pixel Traffic: Circle Rush is its lack of depth. There’s no progression system, no upgrades for your car, no variety in the gameplay. You just keep doing the same thing over and over again, with the only change being the increasing speed of the cars. It’s monotonous and quickly becomes boring.

In conclusion, Pixel Traffic: Circle Rush is a game that had potential, but ultimately falls flat due to its poor controls, lackluster graphics, and lack of depth. It’s a game that I would not recommend, unless you’re looking for a lesson in frustration.

Drawful 2? More like Dreadful 2. This game is a classic example of a sequel that fails to live up to its predecessor. It’s a drawing game, but the fun ends there. The controls are clunky and unresponsive, making the simple act of drawing feel like a chore.

The game’s humor tries to be dark and edgy, but it mostly just falls flat. The voice acting is subpar, and the story is a confusing mess that tries to be quirky and ends up just being nonsensical.

And let’s talk about the game’s biggest sin: its lack of depth. There’s no exploration, no side quests, no character customization. You just go from one puzzle to the next with nothing to break up the monotony. It’s an RPG stripped down to its bare bones, and the result is a game that’s as shallow as it is strange.

In short, Drawful 2 is a game that tries to be different, but ends up being different for all the wrong reasons. It’s a frustrating, confusing, and ultimately unsatisfying experience. If you’re looking for a good puzzle game, I’d recommend looking elsewhere.

Divide by Sheep? More like Divide by Sleep, because that’s what this game will make you want to do. It’s a math-based puzzle game that seems to think that adding and subtracting sheep is the height of entertainment. Spoiler alert: it’s not.

The game’s gesture-based combat system is more frustrating than fun. You’re constantly swiping and clicking, but it feels like you’re wrestling with the game’s controls rather than solving puzzles. And the monster designs? They’re so bizarre and random that they’re more distracting than engaging.

The story is a confusing mess that tries to be quirky and ends up just being nonsensical. And the voice acting? Let’s just say it’s not going to win any awards. The game’s humor tries to be dark and edgy, but it mostly just falls flat.

But the worst part is the game’s lack of depth. There’s no exploration, no side quests, no character customization. You just go from one puzzle to the next with nothing to break up the monotony. It’s an RPG stripped down to its bare bones, and the result is a game that’s as shallow as it is strange.

In short, Divide by Sheep is a game that tries to be different, but ends up being different for all the wrong reasons. It’s a frustrating, confusing, and ultimately unsatisfying experience. If you’re looking for a good puzzle game, I’d recommend looking elsewhere.

Mountain Racing, oh dear. It’s a racing game that seems to have forgotten the thrill of speed and the joy of competition. The controls are as stiff as a board, making the supposedly simple act of steering feel like wrestling with a stubborn mule.

The graphics are so outdated, it’s like stepping into a time machine and going back to the early 2000s. The cars look like they were designed by someone who’s never seen a car before, and the tracks are so bland and repetitive, it’s like driving in a desert.

The game is also riddled with bugs and glitches. I’ve had the game crash on me multiple times, and the physics are so wonky, it feels like you’re driving on the moon. The hit detection is also off, with your car often colliding with invisible walls or floating in mid-air.

But perhaps the most frustrating thing about Mountain Racing is its lack of content. There’s no variety in the tracks, no upgrades for your car, no multiplayer mode. It’s just you, your car, and a handful of boring tracks. It’s a racing game that’s missing the most important element: fun.

In conclusion, Mountain Racing is a racing game that fails to deliver on almost every front. It’s frustrating, buggy, and just plain boring. I wouldn’t recommend it to anyone.

Fearless Fantasy, oh boy, where do I even begin? It’s an RPG that’s as bizarre as they come. The game’s combat system is gesture-based, which sounds cool in theory, but in practice, it’s just a gimmicky mess. You’re constantly swiping and clicking, but it feels more like you’re fighting the game’s controls rather than its monsters.

And speaking of monsters, their designs are… interesting, to say the least. It’s like the developers threw a bunch of random ideas into a blender and just went with whatever came out. Some people might find it quirky or charming, but to me, it just comes off as lazy and uninspired.

The story isn’t much better. It’s your typical “save the princess” fare, but with a weird twist that feels more confusing than clever. The characters are forgettable, the dialogue is cringe-worthy, and the voice acting… let’s just say it leaves a lot to be desired.

But perhaps the game’s biggest sin is its lack of depth. There’s no exploration, no side quests, no character customization. You just go from one battle to the next, with some poorly animated cutscenes in between. It’s an RPG stripped down to its bare bones, and the result is a game that’s as shallow as it is strange.

In short, Fearless Fantasy is a game that tries to be different, but ends up being different for all the wrong reasons. It’s a frustrating, confusing, and ultimately unsatisfying experience. If you’re looking for a good RPG, I’d recommend looking elsewhere.

Go-Kart Racing is a boring and frustrating game that tries to imitate the fun and excitement of real go-karting, but fails miserably. The graphics are outdated, the physics are unrealistic, and the controls are clunky and unresponsive. The tracks are bland and repetitive, and the AI opponents are either too easy or too hard to beat. The game also has many bugs and glitches that ruin the gameplay, such as karts getting stuck on walls, collisions not registering, and laps not counting. The game is a waste of time and money, and I do not recommend it to anyone who likes racing games.