i got 360 noscoped, 10 out 10 game

we, no lie, escaped a twisted game

We Escaped a Twisted Game is a tightly focused cooperative escape-room experience developed and published by Deluded Games, and it succeeds by committing fully to the idea that communication is the primary mechanic. Rather than dressing up traditional puzzles with superficial co-op features, the game is built from the ground up around shared problem-solving between two players, placing them inside a strange, unsettling manor where survival depends on how well they listen to, interpret, and trust one another. The premise is simple but effective: you and a partner are trapped inside a twisted game, separated by space and perspective, and the only way out is to piece together fragmented information before the environment turns against you.

From the opening moments, the game establishes an atmosphere of unease without relying on overt horror. The manor feels deliberately disorienting, filled with rooms that seem designed to confuse rather than comfort, and the sense of isolation is heightened by the fact that each player experiences the space differently. One player may see symbols, mechanisms, or paths that the other cannot, immediately forcing verbal communication as the primary means of progress. This split-perspective design ensures that no puzzle can be solved alone, transforming even simple tasks into exercises in clarity, patience, and shared reasoning.

The core gameplay revolves around a series of handcrafted challenges that emphasize cooperation over individual skill. Puzzles range from methodical logic problems to more frantic sequences that introduce time pressure and environmental threats. Some rooms reward careful observation and calm explanation, while others deliberately create stress, testing how well players can coordinate when things start to go wrong. This variety keeps the experience engaging throughout, preventing it from devolving into a single rhythm and reinforcing the feeling that the manor itself is actively trying to unsettle its occupants.

What makes We Escaped a Twisted Game particularly effective is how it uses communication as both a strength and a vulnerability. The built-in voice chat system encourages natural conversation and removes the friction of relying on external software, helping maintain immersion. At the same time, miscommunication becomes a genuine obstacle. A poorly described symbol, a misunderstood instruction, or a rushed assumption can derail progress just as easily as a missed clue. The game thrives in these moments, where success feels earned not because a puzzle was brute-forced, but because two players learned to think and speak in sync.

Narrative elements are delivered subtly, woven into the environment rather than presented through heavy exposition. Hints of a larger story emerge through the design of rooms, cryptic messages, and the escalating sense that the game itself is aware of your attempts to escape. Multiple endings reinforce this ambiguity, suggesting that how you play — how efficiently you cooperate, how many mistakes you make, and how you respond under pressure — shapes the outcome. This approach keeps the focus on experience rather than lore, allowing players to project their own interpretations onto the events unfolding around them.

Visually, the game favors clarity over spectacle. Environments are readable, objects of interest stand out without excessive highlighting, and puzzle elements are designed to be easily described verbally. This restraint serves the cooperative design well, as it minimizes confusion and keeps attention on communication rather than deciphering cluttered visuals. Sound design plays a complementary role, using ambient noise and subtle audio cues to maintain tension without overwhelming dialogue, ensuring that conversation remains front and center.

In terms of scope, We Escaped a Twisted Game is intentionally compact, designed to be completed in a focused session rather than stretched across dozens of hours. This brevity works in its favor, delivering a concentrated cooperative experience that respects players’ time while still offering replay value through alternate outcomes and the inherent variability of human interaction. Playing with a different partner can dramatically change the tone and difficulty of the experience, giving the game a social replayability that scripted content alone cannot provide.

Ultimately, We Escaped a Twisted Game stands as a strong example of cooperative design done with purpose and restraint. It does not rely on complex mechanics or technical showmanship, instead trusting that well-crafted puzzles and meaningful collaboration are enough to carry the experience. For players who enjoy escape rooms, communication-driven gameplay, or cooperative games that genuinely require teamwork rather than parallel play, it offers a tense, engaging, and memorable journey that proves how powerful shared problem-solving can be when placed at the heart of a game’s design.

Rating: 9/10