Far Cry games are all the same; if you liked one, you'll probably like more. Except now, there's redneck humor, and a refusal to embrace the politics of the core conceit of its setting. KKona

Hey, remember SUPERHOT, and how it kept adding mechanics and keeping you entertained for a short, two hour playthrough? Ok imagine if it kept repeating the same levels for hours on end. MORE =/= GOOD.

So about 1/5th of the game is interesting boss fights, the other 4/5ths are wandering around at 2mph across massive landscapes doing mostly nothing. Sometimes there are even enemies!

Take Papers, Please and then throw some waifus in. :) Nah but actually, its an engaging enough base gameplay loop with an intriguing world and story rife with potential, but falls just a little short.

The totally unique feeling of dread that this game delivers through stressfully-paced, immersive pattern-recognition and moral choices is downright scary in how it drives it points and themes home.

One of the most unique puzzle-game experiences around meets one of the most unique art-styles around makes this a must play experience deserving of all the praise. SeemsGood

You look at this and go "wow, it's one of those cute little indie games with some puzzles that's actually about depression or something" when there's no "actually" its just that. It's almost neat.

Game markets itself as an "extremely challenging stealth/action hybrid" and sure yeah, but really its because the "action" part kinda just feels like luck and they force a lot of it on you. It's fine.

Probably the best Sonic-style physics out there, by a LOT. Story and voicing doesn't quite escape cringe territory, but like, whatever. It's pretty fun.

Might take a bit to get used to the slippery slidy, robo-ninja-man action, but when you get in the zone, it's like dumping your brain into a vat of acid (but in a good way.) Also has a katana.