Steam 설치
로그인
|
언어
简体中文(중국어 간체)
繁體中文(중국어 번체)
日本語(일본어)
ไทย(태국어)
Български(불가리아어)
Čeština(체코어)
Dansk(덴마크어)
Deutsch(독일어)
English(영어)
Español - España(스페인어 - 스페인)
Español - Latinoamérica(스페인어 - 중남미)
Ελληνικά(그리스어)
Français(프랑스어)
Italiano(이탈리아어)
Bahasa Indonesia(인도네시아어)
Magyar(헝가리어)
Nederlands(네덜란드어)
Norsk(노르웨이어)
Polski(폴란드어)
Português(포르투갈어 - 포르투갈)
Português - Brasil(포르투갈어 - 브라질)
Română(루마니아어)
Русский(러시아어)
Suomi(핀란드어)
Svenska(스웨덴어)
Türkçe(튀르키예어)
Tiếng Việt(베트남어)
Українська(우크라이나어)
번역 관련 문제 보고
As part of storytelling, information may be expressed through words or through presentations of events. Black storytelling is unique as it relied extensively off of visual cues.
Would you see such a vivid scene with such intricate figures elsewhere?
With the invention of superior picture moving technologies this meant popular stories, fairy tales and folk tales could be produced. Often these films would feature characters with distinctly plump lips.
It could be argued that these now racially insensitive depictions of black people may have very well been echoes of their work. Highly patriarchal, white imperial powers often oversaw production and any would be black owned studio would have needed to be cautious to not face the wrath of the public and white governments.
Now we have had amazing cartoon series such as Boondocks; made by openly black creators for the entertainment of a black audience and enjoyed by everyone, as it always should have been.
The battle is not over yet however. Black identity is still under attack thanks to systematic racism and discrimination. The Japanese animation industry or 'anime', as it is often referred to, has long persecuted black artists with names being omited.
We must support black artists and black content creators. so that they can succeed despite the adversity they face. There is no 'me' in 'happiness but our combined successes as the human race can bring about happiness.